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The word Rudiment was not used again in US drum manuals until 1862.
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Under this heading he inscribed and named 26 patterns required of drummers by contemporary British and American armies and militias. On page 3 of A New Useful and Complete System of Drum Beating, Charles Stewart Ashworth wrote, Rudiments for Drum Beating in General. The word rudiments first appeard in a drum book in 1812. Some were aided by texts the most popular by far was Bruce and Emmett’s 1862 The Drummers’ and Fifers’ Guide.
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Many drummers learned how to play the essential rudiments by attending the Schools of Practice at Governor’s Island, New York Harbor, and Newport Barracks, Kentucky, although the vast majority learned in the field. Additional requirements included the double stroke roll, paradiddles, flamadiddles, flam accents, flamacues, ruffs, single and double drags, ratamacues, and sextuplets. The rudiment for simple cadence was open beating with a flam repeat. The rudiment for assembly was a series of flams while the rudiments for drummers call were a mixture of flams and rolls. The rudiment that meant attack was a long roll. Each drummer was required to play variations of the 26 rudiments. During the Revolutionary War, drummers in both the Continental and English ranks marched bravely into the fight with no more protection than their drums and sticks.ĭrummer boys during the American Civil War were younger than their predecessors from the Revolution, but more advanced in their playing. From as far back as the ancient days of Babylon, the beating of animal skins rallied the troops on the field, sent signals between the masses, and scared the enemy half to death. But perhaps the most notable instrument was the drum. Fifes, bagpipes and trumpets are just some of the instruments that were used to instruct friendlies and intimidate foes. Military music has served many purposes including marching cadences, bugle calls and funeral dirges. Throughout the history of warfare musicians have always played an important role on the battlefield.
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